ellyssian: (Default)
Did you know...

... that there's a feed on DreamWidth for GreenManEnvy?

... that there's also one on LiveJournal?

The one on DW looks purtier in the whole (at the above links), but they look pretty much the same when you view them on your reading page/friends page.

Also, the one thing LJ seems to do better than DW is handle the share. I've been trickling down posts from DW -> LJ -> FB, but DW's share feature just opens up a dialog to email the post to someone, while LJ's allows me to share to my blog, making it look pretty much like I want it to, with very little effort. Unfortunately, DW's feed got updated right away, while LJ's takes a while. Might just have been the timing of the post, and they both might only update every 12 or 24 hours or something. To avoid duplication of posts on FB (i.e. I post it, then DW -> LJ -> FB cascades down), I'm going to just do the share on LJ -> FB of the poems.

Also also, if you have mythic/natural type content you'd like to promote or share, let me know; I want GreenManEnvy to host the works of others, to the point that I'd love to have a post of my content be a rare event. I'm not opposed to hosting interviews or reviews of music, books, or art that hits on the focus of GreenManEnvy, and excerpts or entire (short) works (such as poems) would also be very welcome.
ellyssian: (Default)
Today's tune is, in fact, "tunes", as there are two pieces in the video. Both Hajimari and Sozo are off Kitaro's album Kojiki.

This video is a performance of another sort, and not a live Kitaro piece ~ what we're seeing is, for the most part is a projected screen. Off to the side of the screen, is a sand painter, changing the designs before a live audience...

ellyssian: (Default)
Go, see beautiful photos - Hylas and the Nymphs by [livejournal.com profile] gothindulgence.
ellyssian: (Default)


The Forgetting Room: A Fiction by Nick Bantock

Whatever you may think of the story lines in Nick Bantock's works, it is the art and the way it is implemented that draw you into the story and impress it upon you after only a single reading.

It's probably been about six months since I read this, and when I close my eyes, I can still see the scenes in this book, the images haunting me, as if I had been in that village square or investigated the contents of that house I inherited, or stood upon that very bridge.

Novels read after this work fade, so that I am not confident of writing even one of my skewed and skewered alleged reviews without having the book in hand to make sure I'm not making it up, or, even, remembering it enough to do it justice. And these novels are not cheesy things easily forgotten, they're ones I really enjoyed, and will heap with lavish praise when I make the time to just sit down and write about them. And yes, I have a number that I read prior to this still awaiting review... I'm a veritable speedboat of reviewing, if someone could just tow me back into the harbor...

As for the story itself - which is really hard to separate from the images and the way it is told - it has wormed its way past the other Bantock books I've read and become my favorite. Although there are a few other authors doing similar things, the only thing I already know of that might be comparable would be a Neil Gaiman / Dave McKean collaboration. As those two guys, as far as words and images go, represent pinnacles of the ideal for me, that should be taken as rather high praise of Mr. Bantock, who somehow manages to roll up a whole bunch of talent into a single byline.
ellyssian: (Default)
...of course, you have to be able to get to California, and a specific part thereof. Which is kind of funny, because if I remember correctly from an old bio, he lives quite a bit closer to me...

Anyway, received this from the World of Froud mailing list:


Master of the Macabre Horror Artist Brom has created his first illustrated novel, THE PLUCKER, published by Abrams, an Imaginosis Book. For fans of adult dark fantasy (not for young children), this book showcases his compelling storytelling and richly beautiful paintings and drawings. It's the perfect book for the HALLOWEEN season!

Here's a rare chance to see the art of THE PLUCKER, meet the artist and get an autographed copy of the book. Please join us for the opening of the exhibition this Saturday evening at STORYOPOLIS in Studio City, CA.

Hope to meet you there!

Robert Gould
IMAGINOSIS
A Transmedia Arts Company
www.imaginosis.com

STORYOPOLIS INFORMATION:
12348 Ventura Blvd
Studio City, CA 91604
Refreshments served
RSVP 818-509-5600
ellyssian: (Default)

The Makers of Immortality
April 5, 2005

shape
shift
drift
from one form
to another

essence
enraptured
captured
from motion
to stillness

canvas dripping
vibrant for all eternity
marble keeping time
with the beat of a heart

immortal
intensity
sophistry
from conscious life
to blind stasis

forever


Copyright © 2005 Everett Ambrose Warren

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