I'm not sure how Ian Hunter's ode to the unavailability of the perfect mate slipped into my thoughts on this, but it did, and it went as far as to decide to act as title and opening salvo. Really, it's a bit off the mark - the equivalent that is relevant would be more accurately stated as "All of the Good Ones are Shut Down by Money-Hungry Music Executives who Only Want to Push the Next Big Thing in Pop Markets and don't Give a Damn about Some of the Greatest Music Ever Written and Other Things That Might Become the Greatest Thing (or Not, but are at the Least Worth a Listen and a Chance.)"
That's a bit unwieldy, though, and slightly long for a title. Not as catchy in a chorus, either, but sometimes it's not all about catchiness, and that's the point of this ramble.
I discovered yesterday - some six or more years after the fact - that mega-conglomerate Sony BMG murdered their Catalyst label. Buried it six feet under. And they did the same with several of their RCA imprints, and Sony, likewise.
While not everything I picked up on Catalyst garners regular replays, nothing was particularly abhorrent, and more than a few gems were discovered. Among my first Catalyst discs was a Maria Bachmann release entitled Fratres - the label's first release, IIRC. Not only did that disc go on to become one of my favorite violin-piano pairings, something I'm not overly partial to for the most part as the piano always seems to get in the way, but I discovered Arvo Pärt and his compositions. And that is allowing me to enjoy a peaceful Sunday morning listening to the exquisite beauty of another Pärt work, his sublimely beautiful Te Deum, which is just now growing from its angelic silences through powerful and stirring passages, before returning towards silence again.
Coincidentally, the recording I am listening to is on ECM New Series, which, like Catalyst, seems to have BMG imprinted upon it, but from what I can tell, seems to be more of a distribution arrangement, because, unlike Catalyst, ECM is still alive and kicking, not yet swallowed by the corporate beastie and then made a victim of powerful music exec's imprinticide. Hopefully it remains independent, continues to supply listeners with beautiful and/or interesting musics, and doesn't find itself "taken."
Cross-posted to
classical_music
That's a bit unwieldy, though, and slightly long for a title. Not as catchy in a chorus, either, but sometimes it's not all about catchiness, and that's the point of this ramble.
I discovered yesterday - some six or more years after the fact - that mega-conglomerate Sony BMG murdered their Catalyst label. Buried it six feet under. And they did the same with several of their RCA imprints, and Sony, likewise.
While not everything I picked up on Catalyst garners regular replays, nothing was particularly abhorrent, and more than a few gems were discovered. Among my first Catalyst discs was a Maria Bachmann release entitled Fratres - the label's first release, IIRC. Not only did that disc go on to become one of my favorite violin-piano pairings, something I'm not overly partial to for the most part as the piano always seems to get in the way, but I discovered Arvo Pärt and his compositions. And that is allowing me to enjoy a peaceful Sunday morning listening to the exquisite beauty of another Pärt work, his sublimely beautiful Te Deum, which is just now growing from its angelic silences through powerful and stirring passages, before returning towards silence again.
Coincidentally, the recording I am listening to is on ECM New Series, which, like Catalyst, seems to have BMG imprinted upon it, but from what I can tell, seems to be more of a distribution arrangement, because, unlike Catalyst, ECM is still alive and kicking, not yet swallowed by the corporate beastie and then made a victim of powerful music exec's imprinticide. Hopefully it remains independent, continues to supply listeners with beautiful and/or interesting musics, and doesn't find itself "taken."
Cross-posted to
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)