Well, I made it to the end.
The last of the discs I inherited from my dad is in the player. I have listened to nothing else since I returned with them from Massachusetts back in January. Each disc was played once during the workday, one after the other, whenever I was not on the phone (not something I do all that often) or in a meeting (a couple hours a week on average.) All single discs then went into the car (or a pile to get into the car) and were cycled through there - still have about ten or so to go on that account, but that's less of a milestone, as all the 2-4 disc operas and box sets of symphonies and DG Trio sets of quintets and Phillips 2CD sets are too awkward and dangerous to open and access in the car.
This disc - specifically Deutsche Grammophon 435 074-2 GGA2 "Antonin Dvorak: Ouverturen - Symphonische Dichtungen - Symponsche Variationen" performed by the Symphonie-Orchester des Bayerischen Rundfunks conducted by Rafael Kubelik - was one I had searched long and hard for. I finally managed to get it at a now-out-of-business classical disc shop in Wayland, MA, despite the fact that it had gone out of print. I'm a fan of symphonic poems, and, as some of you may have guessed, of fantasy and myth and so forth. Perusing a copy of Opus, many moons ago, how could I not be attracted to a recording that has a series of symphonic poems with evocative titles such as Der Wassermann, op.107; Die Mittagshexe, op.108; Das goldene Spinnrad, op.109; or Die Waldtaube, op.110? (That would be, respectively, The Water Goblin, The Noonday Witch, The Golden Spinning Wheel, and The Wood Dove. Among the overtures in the collection is Othello op.93 - and, in addition to symphonic poems, I tend to collect anything I can find influenced by good ol' Billy Boy - and In der Natur, op.91 (which doesn't really need translating...)
As I've mentioned here before, my dad also happened to really like symphonic poems, Dvorak, and, even more particularly, the kind of music on this disc. A gem, he described this recording as. He listened to it whenever he could - during our visits we often found time to listen to new stuff without interruption as the wimminfolk went out for one reason or another. He would request this disc almost every time, until I finally gave it to him for a birthday present. From his reaction, I'm pretty sure he felt it was the best gift I had ever given him.
I missed the disc for the 5 years or so since I gave it to him, but now I have it back, and I miss having my dad around to listen to it with me.
The last of the discs I inherited from my dad is in the player. I have listened to nothing else since I returned with them from Massachusetts back in January. Each disc was played once during the workday, one after the other, whenever I was not on the phone (not something I do all that often) or in a meeting (a couple hours a week on average.) All single discs then went into the car (or a pile to get into the car) and were cycled through there - still have about ten or so to go on that account, but that's less of a milestone, as all the 2-4 disc operas and box sets of symphonies and DG Trio sets of quintets and Phillips 2CD sets are too awkward and dangerous to open and access in the car.
This disc - specifically Deutsche Grammophon 435 074-2 GGA2 "Antonin Dvorak: Ouverturen - Symphonische Dichtungen - Symponsche Variationen" performed by the Symphonie-Orchester des Bayerischen Rundfunks conducted by Rafael Kubelik - was one I had searched long and hard for. I finally managed to get it at a now-out-of-business classical disc shop in Wayland, MA, despite the fact that it had gone out of print. I'm a fan of symphonic poems, and, as some of you may have guessed, of fantasy and myth and so forth. Perusing a copy of Opus, many moons ago, how could I not be attracted to a recording that has a series of symphonic poems with evocative titles such as Der Wassermann, op.107; Die Mittagshexe, op.108; Das goldene Spinnrad, op.109; or Die Waldtaube, op.110? (That would be, respectively, The Water Goblin, The Noonday Witch, The Golden Spinning Wheel, and The Wood Dove. Among the overtures in the collection is Othello op.93 - and, in addition to symphonic poems, I tend to collect anything I can find influenced by good ol' Billy Boy - and In der Natur, op.91 (which doesn't really need translating...)
As I've mentioned here before, my dad also happened to really like symphonic poems, Dvorak, and, even more particularly, the kind of music on this disc. A gem, he described this recording as. He listened to it whenever he could - during our visits we often found time to listen to new stuff without interruption as the wimminfolk went out for one reason or another. He would request this disc almost every time, until I finally gave it to him for a birthday present. From his reaction, I'm pretty sure he felt it was the best gift I had ever given him.
I missed the disc for the 5 years or so since I gave it to him, but now I have it back, and I miss having my dad around to listen to it with me.